1. At the Movies are are “The Emoji Movie”, “Atomic Blonde” and “An Inconvenient Sequel: Truth to Power.”

2. On Friday unwrap your favorite candy bar to celebrate Milk Chocolate Day! The first bar was made in 1875, when Swiss confectioner Daniel Peter and his neighbour Henri Nestlé (yes, the founder of the world-famous food and beverage company) developed the first solid milk chocolate using condensed milk. Today, most milk chocolate is made from milk powder, liquid milk or condensed milk.

3. Saturday go enjoy some wings for National Chicken Wing Day. Beef O’Brady’s in Maumelle is running a special all day. The restaurant is at 115 Audubon Drive No. 10 in Maumelle.

4. Bibliophiles rejoice as Sunday is Paperback Book Day. On July 30, 1935, Penguin Books was founded and revolutionized publishing in the 1930s through its inexpensive paperback version of popular titles. Celebrate by perusing the paperbacks at your local bookstore.

5. Go out and try a salsa, cha-cha or two-step class to celebrate National Dance Day on Saturday. The day was created to encourage Americans to embrace dance as a fun way to get exercise and fight obesity.

Around town:

Sign of the Times: Great Political Posters

A new exhibit featuring rarely seen political posters created in the last 170 years opens Aug. 18 in UA-Pulaski Technical College’s Windgate Gallery located in The Center for Humanities and Arts on the college’s Main Campus at 3000 West Scenic Drive in North Little Rock.

Sign of the Times: The Great American Political Poster 1844–2012 explores a variety of styles, design trends, and printing technology that will delight your eye, engage your imagination, and lead you to ruminate over past political commitments. The exhibit runs through Sept. 20. Exhibit hours are Monday – Thursday, 10 a.m. to 6 p.m.; Friday, 10 a.m. - 5 p.m.; and Saturday, 10 a.m. to 2 p.m.

An opening night reception will be held 6-8 p.m. on Thursday, Aug. 17, and will include a gallery talk at 6:30 p.m. with Jay Barth and Ima Graves Peace Distinguished Professor of Politics at Hendrix College. Music will be provided by Barry McVinney on saxophone and Mark Binns on piano. The reception and exhibit are both free and fully accessible to the public.

The political campaign poster had its humble beginnings in the 1840s when the new lithographic printing process, largely developed in Germany, was developed to satisfy a growing demand for printed material. Hand-colored portraits of presidential and vice-presidential candidates were first printed for the 1844 race between Whig Party candidate Henry Clay and the eventual winner, James K. Polk of the Democratic Party.

Technological innovation in the lithographic process in the 1880s ushered in the golden age of lithography, roughly 1890–1912, which produced some of the most intricate and colorful posters in the exhibition.

World War II saw a huge outpouring of posters offered by the Roosevelt administration and included several key Democratic Party campaign posters designed by famous artists like Ben Shahn and James Montgomery Flagg. The international style that pervaded the 1950s rarely affected the campaign poster, an era in which cheap letterpress and offset boxing style posters were de rigueur. However, a new design element that became popular at the time was the floating head poster, and several for candidates Eisenhower, Kennedy, and Goldwater are included in the exhibition.

The left-wing counterculture revolution of the 1960s was awash in civil rights, psychedelia, and anti-war posters that culminated in the creation of some of the finest campaign posters, many of which appeared in the 1968 Democratic primary campaign of Eugene McCarthy. The George McGovern campaign that followed in 1972 was a virtual explosion of exciting political art. The offset printed poster was the more frequent, but many famous artists such as Alexander Calder and Andy Warhol screen-printed limited editions that helped fund campaigns. Hundreds of posters were created by well-known artists, illustrators, and first-time poster makers.

After the 1972 presidential campaign, future contests produced only a few outstanding posters in each election cycle. However, the Democrats’ nomination of Barack Obama in 2008 heralded a renaissance of the form, as many artists jumped on the candidate’s bandwagon. In fact, in 2008 it looked as if the great American political poster had at last solidified its place in future campaigns. Unfortunately, it was not to be; in 2012 the creation of exciting innovative posters tapered off sharply from the previous presidential election cycle. Through time, the American political poster has been neglected as an art form and has played a minor cultural role despite its effectiveness in conveying a political message to millions of voters often through the skillful use of visual communication.

Sign of the Times has made every effort to bring eye-popping political graphics to the forefront and show the great American political poster as art. Sign of the Times was curated by Hal Wert, Ph.D., collector and professor of history at Kansas City Art Institute, and organized by Exhibits USA/Mid-America Arts Alliance.

For more information, contact Windgate Gallery and CHARTS Theater Coordinator Debra Wood at 812-2715 or dwood@uaptc.edu